Log Cabin I

Quilt/Not Quilt

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I am drawn to old quilts, especially those constructed from bits and pieces of salvaged clothing. They are, perhaps, one of the original inspirations for recycling. 

The original inspiration for this series was a poorly constructed, vintage baby quilt in a traditional pattern- of which there are hundreds. Looking at that quilt so soft and worn, and now discarded as past its prime and ruined - I wondered what would happen if I worked into it with materials that were intrinsically at odds with quiltness. Spackling to stiffen, colored pencil to prevent washing, and sand to roughen the touch. Impossible to stitch.

The reworked quilt is symbolic of transition and paradox. Once soft, now stiff and scratchy. Once a quilt - what is it now? 

Quilt/Not Quilt? Beautiful or not?
And in whose opinion?

Lyrical Thread


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The Lyrical Thread series began as a question: Could I hand stitch through a canvas surface covered with plaster-like spackling? I was drawn to the hard surface of the spackling, and the ease with which I could alter it - so very different from cloth! A set of explorations confirmed that in addition to using pencil, sand, screen printing and lamination, I could indeed, stitch onto the matte ground.

Working the surface was symbolic. Difficult to master, the end result only hints at the creative struggle. Seeking grace under pressure. A worthy goal.

Etudes Installation.jpg



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This series was created in 2011 in response to the realization that we humans require centering. That is, attention to our inner thoughts and impulses. Musicians practice Etudes, or musical studies. Some people pray. As an artist, my daily practice is studio work. The pieces included for your consideration are part of a 48 piece set, shown at the University of Louisville in 2011. Individual pieces from the series are included in other traveling exhibitions. The most notable of these is the FiberArt International exhibition, which originated in Pittsburgh and is traveling for two years.

Sacred Planet 

2009 - 2010

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Large, digitally printed fabric panels collaged with screen printing using paint and sand, lamination, backed with Ecco felt and stitched.

This series references the waning populations of wild life on the planet, and the human disregard for the same. The series was shown at the Boger Gallery and also at the Schweinfurth Center for the Arts. One piece was also shown at the Smithsonian Textile Museum in an exhibition entitled Green and another won two Best of Shows at regional exhibitions around the US.